Upcoming exhibition: ‘Across Time and Place’ 8-20 July at Depot II Gallery Danks St Waterloo, Sydney. Opening night Wednesday 10th of July 6-8pm.

Across Time and Place

This solo exhibition stems from a Bundanon Trust Artists’ residency during the entire month of November last year. The paintings focus on the property, its vastness, beauty and skies that seek to envelop one in its weather. In addition to the landscapes, figurative paintings that feature artefacts and the memory and absence of people assist the development of potential narratives. Internal and external figure/field relationships are a means by which I can express the psychological and metaphysical aspects of ‘Landscape’.

My current painting practice explores the tradition of landscape with a focus on the temporal; the idea that places remember their past whilst always being at the mercy of human intervention and other forces of change.

My paintings work with elements of pictorial ambiguity and mystery to explore these themes, perhaps evoking a bygone era, but remaining contemporary through the use of a variety of materials, processes and the deployment of discontinuous space.

                                                                                                            Peta Dzubiel, 2013


An Australian Gothic

An Australian Gothic

For some time, I have been interested in film, literature and art which oscillate around the notion of the Australian Gothic. I feel my paintings always display aspects of this and I am aware it is something I try and tap into. My paintings endeavour to combine elements of Romanticism and the Gothic mode to conjure up an unsettling beauty and intrigue. Recently I have been drawn to the stories and environments of people in historical photographs which feature early Australians, pioneers and immigrants. These photographic records, I find, have an aesthetic that evokes imagination and reinterpretation via painterly exploration.

From its inception the Gothic has dealt with fears and themes which are endemic in the colonial experience: isolation, entrapment, fear of pursuit and fear of the unknown. And for each, the possibility of transformation, of surviving the dislocation, acts as a driving hope. 

–          Gerry Turcotte, ‘Australian Gothic’, 1998

This painting features father and daughter, Kenneth and Helen McKenzie and their prized horse. The McKenzies, originally from Scotland, lived and farmed the property at Bundanon for four generations. Tragedy struck on the eve of the Nowra show when Kenneth and Helen drowned while washing their horse in the river. The Jacaranda tree by the Bundanon homestead was planted in their memory.